Well, you're modern with a classic edge. Or classic with a modern edge. Whatever. It works.
I'm big on respect for yourself. Putting a tie on most days at home to write does make me take life more seriously. I don't view that as an inconvenience. I'm inspired by the abstract painter Robert Ryman who gets up every day, puts on a suit, rides the subway to his studio and gets to work painting white squares.
You know who else inspires me? Shaquille O'Neal. Did you know he has a doctorate in business economics? And George Foreman. He said you have to learn to respect every dollar before you can learn to own your own success.
Okay, you know I'm itching to ask you some design questions. I wrote a couple down so here goes. What are the elements of a successful room?
A successful room has to have an honest relationship with the person who lives in it. This has nothing to do with aesthetics, it has to do with the vibe. For instance, the simple pressed linens on the bed of a humble surf camp in Tulum, Mexico have just as much authenticity and charm as the ones in Valentino's chateau. Valentino's may be ironed twice (once in the pressing room and then again on the bed) but that's true to him. You have to admire that, the hairspray and the six pugs. They're all legitimate extensions of who he is.
A successful room has a story behind it. One of my first jobs was working for Bunny Williams on Ted Forstmann's apartment. I had to style a bookcase before he came home from work to make it look like his family had lived there for thirty years. I ran out and bought things like Grand Tour souvenirs and marble tazzes and arranged them into convincing little vignettes along with various books and things I found in his closets. He was so happy with it that he ate his dinner in the living room that night. "At last," he said, "I feel like I have a real home."
What advice do you have for people just starting out on their style journey?
Watch Stanley Donen movies.
Do you have any design heroes?
Georges Geffroy. Go check out the house he designed for Christian Dior. Interior design was never braver and more interesting than in 1930's-1960's France.
What types of rooms are you liking these days?
I am very into the idea of a black-upholstered room with lots of Louis XV furniture, like the one Architectural Digest featured a few months ago of designer James Galanos' house in Beverly Hills.
How would you say your style has changed since you've had children?
One of the reasons I got out of decorating was that to do it the right way it would have been hard to be a normal person and live that life. So I decided to dismantle that identity and take another course which was to become a father. I moved out to Los Angeles so that I would be able to pick my daughter up from school four times a week and help her with her homework.
I don't live on a large scale. My family lives in a four-room house in Silverlake designed by Richard Neutra that's all about happy-making modernism. It's taught me about the importance of designed space versus volumes of space. And it's the ultimate reason that anyone should move to Los Angeles because Neutra houses are all about the fantasy of living outdoors.
Describe your typical morning.
[My wife] Liz and I don't make an elaborate breakfast but we do make tea and coffee in Christofle thermoses. On a silver tray with a linen insert. Every day. And some mornings we add a flower in a shot glass. From the moment we wake up, there's a commitment to a certain standard.
(Photo by François Halard)
And when I make scrambled eggs for my daughters, I cook them in these little copper vessels with lids on them. And handles. And I serve them just like that on a plate. Because it's fun and they love it.
What are your necessities?
I like the signifiers of an orderly life, none of which my wife Liz is the least bit interested in. It's important for me to have lightbulbs in the house. And postage stamps. And pens and pads of paper. One of the nicest things she did for me recently was to go out and buy a whole mess of the exact same kind of pen -- Papermate Flair felt tip -- and put them in a big cup for me.
When I was twenty, I had this awesome Sarah Lawrence slob roommate.We lived in a tenement in the East Village in the same apartment where Larry Clark filmed "Kids." I was in architecture school in Cambridge so I was only there about a week a month and I said to her, "Look, I'll pay for 2/3 of the rent and I'll hire a maid twice a week. In return, I would like to you to do one thing for me. Get my mail and stack it on this silver tray so it's all oriented the same way. That's it."
And? Did she?
She did. And that detail was the difference between squalor and chic.
Your name has been all over the press lately (here, here and here) due to a certain shady bankruptcy filing by your former employer MacLaren. Anything you want to say regarding that?
Life is full of surprises. Make lemonade. We have every expectation that the bankruptcy will be invalidated. It's a lot more exciting this way than if I had to design three more cribs and just wait until the clock ran out.
Quick, three words that define your approach to style.
Humor.
Intensity.
Disdain, mixed with affection.
What's style to you?
Well, if you're going to make me define it in a sentence, it's not going to be "Every room needs to have a little light blue in it." It's going to be an attitude. Do you know the Strauss opera "Der Rosenkavalier"?
(embarrassed) Umm. No.
Hugo von Hoffmannsthal was the librettist. I love the way he describes the field marshall's wife, the Marschallin: "Mischief in one eye, and compassion in the other."
Final thought?
If you're a slob, don't do any of this stuff. Because maintenance is something you have to like doing -- otherwise, don't start. As Diana Vreeland said, "Millions of people have no style at all. They are happy."
(Photo by Lisa Borgnes Giramonti)
Thank you so much, David! See you on the playground. :)
